A book in three parts on Live Sound
This book is about live sound which can be very different than studio sound. It is also aimed at a wide audiance ranging from an amature running sound for the local library to fairly advanced sound engineers doing sound for fair sized events. The book is both very pragmatic, and in the last chapter theoretical. This book is not a style sheet. The book is based on the idea that first you get the sound as natural and transpearent as you can, and then you can add whatever "distortions" (such as REVERB) that are desired.
Instructions on how to efficently look up something in the book: there is no index, but there is a very detailed table of contents. Use the table of contents to look up what you want to find, then go to the appropriate chapeter of the book and search on key words.
One final note: sound is subjective and so some of what I say you may disgree with. If you do disagree please write me.